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When Staying Is the Only Language Love Knows: A Reflection on Shoojit Sircar’s October

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Some love stories begin with a confession. Some begin with a smile. And some begin with silence. Shoojit Sircara’s October is one such story. Released in 2018, October stars Varun Dhawan as Dan, a young hotel-management trainee, and Banita Sandhu as Shiuli, his fellow trainee. But calling the film simply a romantic movie would be an injustice to what it really explores. Dan and Shiuli are not presented as a conventional romantic couple. Their relationship is uncertain, incomplete and difficult to define. When an unexpected tragedy changes Shiulia’s life, Dan begins to remain by her side. What follows is not a dramatic romance filled with grand declarations. Instead, it is a quiet exploration of care, attachment, grief and unconditional affection. And perhaps that is what makes October so different. In a world where love is often represented through dramatic gestures, expensive gifts and beautiful words, the film asks us to consider another form of love”the kind that exists with...
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The Things We Never Say: The Quiet Weight of Unspoken Words

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Some of the most important conversations in our lives are the ones we never have. We carry words inside us for years-an apology that was never offered, a feeling that was never expressed, a question that remained unanswered, or a truth we were too afraid to speak. Elizabeth Strout’s The Things We Never Say explores this quiet territory of human relationships and reminds us that silence is not always empty. Sometimes, silence carries an entire lifetime. At the heart of the novel is the idea that people are often more complicated than the versions of themselves that others see. We may appear strong while carrying grief, appear happy while struggling with loneliness, or appear distant simply because we do not know how to express what we feel. What makes such stories powerful is their familiarity. We may not share the characters’ exact experiences, but we recognise their emotions. We have all, at some point, chosen silence instead of speaking. Sometimes we remain silent because we fear rej...
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The terrifying reality behind that “I am not a robot”

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 We’ve all been there-staring at a screen, squinting at blurry traffic lights or crosswalks, feeling a weird surge of irritation when the website refuses to believe we’re human. It’s a digital annoyance we’ve all learned to live with, but in the 2025 Academy Award-winning short I’m Not a Robot, director Victoria Warmerdam takes that mundane moment and turns it into a full-blown existential crisis. The story centers on Lara, a music producer who suddenly finds herself unable to clear a standard website security check. What starts as a relatable tech-support nightmare quickly spirals into a dark, genre-bending drama that feels like something straight out of Black Mirror. As the film progresses, the question stops being about a glitchy website and starts becoming a terrifying probe into her own reality: If the machine says she isn’t human, how can she be sure she is? The reason this film hits so hard isn't just the sci-fi concept; it’s how grounded and raw it feels. Ellen Parren, who ...
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Anuja Short film

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  Critical Analysis of Anuja Anuja is a socially conscious short film that explores the harsh realities of child labour, poverty, and limited educational opportunities in contemporary India. Through the story of a gifted nine-year-old girl, the film examines how economic hardship often forces children to sacrifice their childhood and education for survival. One of the film’s greatest strengths is its realistic portrayal of poverty. Rather than presenting poverty as a mere background condition, the narrative shows how it shapes every decision the characters make. Anuja’s dilemma between continuing to work and pursuing education reflects the difficult choices faced by many underprivileged children. The film avoids simplistic solutions and instead highlights the structural inequalities that restrict individual freedom. The relationship between Anuja and her older sister Palak forms the emotional core of the story. Their bond demonstrates themes of love, responsibility, and sacr...
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The Haunting Elusiveness of Self in Modiano’s Paris

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Writing about Patrick Modiano’s In the Café of Lost Youth feels a bit like trying to catch smoke. It isn’t a book about big plot twists or grand declarations; it’s a book about the weight of being alive and how quickly we become strangers to ourselves. The heart of the story lies in how we try to outrun our own histories. Louki, the woman at the center of it all, is a master of vanishing-not by physically leaving, but by constantly creating new versions of herself that never quite stick. Modiano frames her life through four different narrators, and there’s a beautiful, aching irony in that. We get a hundred different details about where she was or who she was with, but the more we learn, the further away she seems to drift. It’s his way of saying that we can never really know another person; we only ever hold onto our own fragmented snapshots of them. What makes this novella hit home is the concept of “neutral zones”-those pockets of time or space, like a dim café at 3 AM, where you fe...
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Err is Human: A Reflection on Guilt, Judgment and Forgiveness

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The short film Err is Human is a touching story that explores the themes of guilt, human error, and the tendency to judge others too quickly. Though the narrative is simple, it raises important questions about morality, empathy, and personal growth. The film reminds us that mistakes are a part of human life and that understanding and forgiveness are often more meaningful than blame and punishment. The story follows Tanu, who returns to the house of Smita and Aravind after twenty-two years. In the past, Tanu worked as a domestic helper in their home. During that time, a ring went missing, and Smita immediately suspected Tanu. She searched Tanu’s belongings, causing her embarrassment and emotional pain. Although nothing was found, the incident left a lasting impact on both women. When another ring goes missing years later, Smita reacts in the same way and once again suspects Tanu. She asks to search her bag, believing that history is repeating itself. However, it is later discovered t...
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Crowd vs Society

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 हम भीड़ बन रहे हैं या समाज? सामूहिक शोर में खोती मनुष्यता आज के डिजिटल युग में हम एक अजीब विरोधाभास में जी रहे हैं। तकनीक ने हमें पूरी दुनिया के करीब तो ला दिया है, लेकिन क्या हम वाकई एक-दूसरे से जुड़े हैं? हाल ही में साहित्य और समाज के गहरे अंतर्संबंधों को पढ़ते हुए कुछ कड़वी मगर जरूरी सच्चाइयों से रूबरू होने का मौका मिला: हम भीड़ बन रहे हैं या समाज? सामूहिक शोर में खोती मनुष्यता आज के डिजिटल युग में हम एक अजीब विरोधाभास में जी रहे हैं। तकनीक ने हमें पूरी दुनिया के करीब तो ला दिया है, लेकिन क्या हम वाकई एक-दूसरे से जुड़े हैं? हाल ही में साहित्य और समाज के गहरे अंतर्संबंधों को पढ़ते हुए कुछ कड़वी मगर जरूरी सच्चाइयों से रूबरू होने का मौका मिला: Crowd vs. Society राजनीति और बाजार हमें 'भीड़' में बदलना चाहते हैं। क्यों? क्योंकि भीड़ सवाल नहीं पूछती, वह सिर्फ शोर मचाती है या प्रतिक्रिया (React) देती है। लेकिन एक स्वस्थ 'समाज' वह है जहाँ हर व्यक्ति की अपनी स्वतंत्र सोच और संवेदनशीलता हो। आज हम सोशल मीडिया पर एक 'डिजिटल भीड़' बनते जा रहे हैं। हमें हर सेकंड सूचनाएँ मि...
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